Although Poland has a vivid array of artists and institutes in the field of folk art, the concept art environment is almost unknown, partly because creations in this field are not very common in that country.
But Poland certainly knows art environments. For example Chelmowski's site, in Poland referred to as open air museum.
Life and works
Józef Chełmowski (1934-2013) was born in a family of farmers in Brusy Jagli, a small community
in the north-west of Poland.
He grew up in the tradition and values transmitted in his family from generation to generation and all his life in his daily conversation he would speak Kashubian, the language of old in the area in northern Poland where he lived.
Already as a young boy at school he liked painting and sculpting. The teacher let him do this. "He gave me freedom, so I worked and painted. Nobody taught me, the teacher was not capable of teaching me. I had to discover it all by myself", as Chelmowski says in the video with english subtitles in the documentation below .
Chelmowski amidst the paintings in his house
He completed his primary education, but could not pursue further studies because of illness and the need to assist his parents in running the farm.
Chelmowski later had a variety of jobs, such as ticket-controller in a cinema, porter, lab technician or bee-keeper. But throughout all these years, as a self-taught artist he remained active in painting and sculpting, mainly creating works on religious, philosophical, moral or patriotic themes.
He became a versatile artist, who not only designed visual art, but also wrote a number of books and constructed installations, such as a Machine for capturing the elements.
In 1972, when he was in his late thirties, he decided to share his work with the outside world and he submitted it to the competition folk sculpture of Northern Poland. His work was appreciated and since then he has participated in all major events in the field of folk art in Poland.
Chelmowski's fame as a folk artist grew.
Currentl various Polish regional museums have his work in their collection, such as the Ethnographic Museum in Toruń, the Western-Kashubian Museum in Bytow and the Leon Wyczolkowski Regional Museum in Bydgoszcz, which has the largest collection (some 500 works), including Chelmowski's imposant creation the Apocalyps, a 55 meter long and one meter high painting depicting scenes of John's biblical story.
Creating an art environment
In the late 1970's Chelmoswki began transforming the garden at the backside of the parental home into an art environment. In the mid 1990's, when Chelmoski's fame began to spread widely in Poland, the site began to attract visitors, initially from Poland, but later also from Germany and Scandiavian countries.
A number of walls of the interior spaces were gradually fully filled with his paintings. In the interior one also finds his illustrated books.
In some rooms all sorts of tools and household items were gathered that had to do with daily life in former days, such as old radios, telephones and gramophones, farm equipment, but also old-fashioned billboards.
The garden at the backside of the house includes a large collection of Chelmowsi's woodwork.
Very prominent are the small road chapels, arranged in parallel rows. These wayside shrines (przydrożne kapliczki) are a well known and widespread phenomenon in Poland.
Chelmowski has delivered many of such little chapels on order, but it is very satisfying that in the garden a large number of these creations have met.
The garden also includes beehives and a variety of sculptures depicting saints, angels. farmers, robbers
The exterior walls of the house and the outbuildings are decorated with frescoes. One of these frescoes has the inscription Światło Czas Duch wlada życie which as far as I understand means Light, Time, Spirit, its life....
The entrance of the house is decorated with paintings and carvings. The tympan above the door contains sculptures of Pythagoras, Copernicus and Archimedes..
In 2006 Chelmowski was honored with a Polish cultural award, the silver medal of Gloria Artis.
He passed away in 2013.
After his death his widow Jadwiga Chelmoswki, assisted by other members of the family, took care of the open air museum.
A heavy storm in august 2017 caused damage
In the night of August 11, 2017, house and garden were hit by a heavy storm that caused damage to the house and fences. The works of art have been spared for a significant part, but it has been shown how vulnerable they are.
A crowdfunding action has been initiated to perform the necessary repairs and provide a basis for systematically maintaining the creations
* Urszula Usakowska-Wolff, "Jozef Chelmoswki und seine Welt voller Engel" (Jozef Chelmowski and his world full of angels), article (in german) in Kunstdunst Magazin Berlin, 2013
* Video by the Muzeum Nardodowe w Gdansku (8'02", You Tube, uploaded march 2011)
* Video by ostanceprobs 3'28",You Tube, march 2011
Open air museum
Główna 15, 17
89-632 Brusy-Jaglie (Czyczkowy), Pommern, Poland